الجزء الثالث من العصر الحديث 1885
| Name | Year of birth | Year of death | Nationality | Notable works | Remarks |
|---|---|---|---|---|---|
| Alexander Albrecht | 1885 | 1958 | Slovak | ||
| Julius Harrison | 1885 | 1963 | English | ||
| Siegfried Salomon | 1885 | 1962 | Danish | ||
| Paul van Katwijk | 1885 | 1974 | Dutch-American | ||
| Agustín Barrios | 1885 | 1944 | Paraguayan | ||
| Alban Berg | 1885 | 1935 | Austrian | Violin Concerto; Wozzeck; Lyric Suite | Serialism, Romanticism, Expressionism; pupil of Arnold Schoenberg |
| George Butterworth | 1885 | 1916 | English | ||
| Hildor Lundvik | 1885 | 1951 | Swedish | ||
| Benjamin Dale | 1885 | 1943 | English | ||
| Adriano Lualdi | 1885 | 1971 | Italian | ||
| Heino Kaski | 1885 | 1957 | Finnish | ||
| Eduard Kunneke | 1885 | 1953 | German | Der Vetter aus Dingsda | |
| Werner Josten | 1885 | 1963 | German | ||
| Artur Lemba | 1885 | 1963 | Estonian | ||
| Dora Pejačević | 1885 | 1923 | Croatian | Symphony in F-sharp Minor, Phantasie Concertante | |
| Wallingford Riegger | 1885 | 1961 | American | Symphony No. 3 | |
| Pedro Humberto Allende | 1885 | 1959 | Chilean | ||
| Henri Collet | 1885 | 1951 | French | ||
| Leo Weiner | 1885 | 1960 | Hungarian | ||
| Egon Wellesz | 1885 | 1974 | Austrian | nine symphonies | |
| Edith Swepstone | 1885 | 1930 | English | ||
| Mana-Zucca | 1885 | 1981 | American | ||
| Joseph Achron | 1886 | 1943 | Russian | Hebrew Melody | |
| Edward Ballantine | 1886 | 1971 | American | Variations on "Mary Had a Little Lamb" for piano | |
| Kosaku Yamada | 1886 | 1965 | Japanese | Overture in D major | |
| Eric Coates | 1886 | 1957 | English | ||
| Ethel Leginska | 1886 | 1970 | British | ||
| John J. Becker | 1886 | 1961 | American | ||
| Rebecca Helferich Clarke | 1886 | 1979 | English | ||
| Wilhelm Furtwängler | 1886 | 1954 | German | Symphony No. 1 in B minor, Symphony No. 2 in E minor, Symphony No. 3 in C♯ minor, Piano Quintet, Religöser Hymnus, Te Deum for Choir and Orchestra | Neoclassicism, folk-influenced, twelve-tone technique |
| Elizabeth Gyring | 1886 | 1970 | American | ||
| Ellen Coleman | 1886 | 1973 | English | ||
| Edward Joseph Collins | 1886 | 1951 | American | ||
| Henri Gagnebin | 1886 | 1977 | Belgian-born Swiss | ||
| Ole Windingstad | 1886 | 1959 | Norwegian-American | ||
| Marcel Dupré | 1886 | 1971 | French | organ music | |
| Jesús Guridi | 1886 | 1961 | Spanish | Sinfonia pirenaica | |
| Paul Paray | 1886 | 1979 | French | Mass for the 500th Anniversary of the Death of Joan of Arc | |
| Othmar Schoeck | 1886 | 1957 | Swiss | Penthesilea | |
| Pietro Yon | 1886 | 1943 | Italian | Gesù bambino | |
| Kurt Atterberg | 1887 | 1974 | Swedish | Symphony No. 6 "Dollar Symphony" | |
| Oskar Lindberg | 1887 | 1955 | Swedish | ||
| Florence Price | 1887 | 1953 | American | ||
| Ernest Pingoud | 1887 | 1942 | Finnish | ||
| Heinz Tiessen | 1887 | 1971 | German | ||
| Henry Ley | 1887 | 1962 | English | ||
| Nadia Boulanger | 1887 | 1979 | French | ||
| Mildred Couper | 1887 | 1974 | American | quarter tone | |
| Stasys Šimkus | 1887 | 1943 | Lithuanian | ||
| Lawrance Collingwood | 1887 | 1982 | English | ||
| Max Trapp | 1887 | 1971 | German | ||
| Heino Eller | 1887 | 1970 | Estonian | ||
| Emilia Gubitosi | 1887 | 1972 | Italian | ||
| Leevi Madetoja | 1887 | 1947 | Finnish | ||
| Emil Reesen | 1887 | 1964 | Danish | operas | |
| Rudi Stephan | 1887 | 1915 | German | Romanticism | |
| Willem Andriessen | 1887 | 1964 | Dutch | Piano Concerto in D♭ major | |
| Ernst Toch | 1887 | 1964 | German | 7 symphonies | |
| Heitor Villa-Lobos | 1887 | 1959 | Brazilian | Chôros; Bachianas brasileiras; Magdalena: a Musical Adventure; Rudepoêma; | Neoclassicism, folk-influenced |
| Johanna Beyer | 1888 | 1944 | German-American | ||
| Philip Greeley Clapp | 1888 | 1954 | American | 12 symphonies | |
| Maria Rodrigo | 1888 | 1967 | Spanish | ||
| Alexei Stanchinsky | 1888 | 1914 | Russian | ||
| Claude Delvincourt | 1888 | 1954 | French | ||
| Cristòfor Taltabull | 1888 | 1964 | Catalan | ||
| Irving Berlin | 1888 | 1989 | American | ||
| Carmen Barradas | 1888 | 1963 | Uruguayan | ||
| Cecil Coles | 1888 | 1918 | Scottish | ||
| Emiliana de Zubeldia | 1888 | 1987 | Spanish | ||
| Anna Maria Klechniowska | 1888 | 1973 | Polish | ||
| Cristòfor Taltabull | 1888 | 1964 | Catalan | ||
| Ina Boyle | 1888 | 1967 | Irish | ||
| Ilse Fromm-Michaels | 1888 | 1986 | German | ||
| Gabriel von Wayditch | 1888 | 1969 | Hungarian-American | ||
| Julie Reisserová | 1888 | 1938 | Czech | ||
| Poul Schierbeck | 1888 | 1949 | Danish | ||
| Matthijs Vermeulen | 1888 | 1967 | Dutch | ||
| Levko Revutsky | 1889 | 1977 | Ukrainian | Piano Concerto in F major | |
| Alton Adams | 1889 | 1987 | American | ||
| Karl Rautio | 1889 | 1963 | Finnish | ||
| Grigoraş Dinicu | 1889 | 1949 | Romanian | ||
| Armstrong Gibbs | 1889 | 1960 | English | ||
| Ethel Glenn Hier | 1889 | 1971 | American | ||
| Vladimir Shcherbachov | 1889 | 1952 | Russian | ||
| Sándor Jemnitz | 1890 | 1963 | Hungarian | ||
| Victor Dolidze | 1890 | 1933 | Soviet Georgian | ||
| Luís de Freitas Branco | 1890 | 1955 | Portuguese | ||
| Philip James | 1890 | 1975 | American | ||
| Hans Gál | 1890 | 1987 | Austrian | ||
| Kathleen Lockhart Manning | 1890 | 1951 | American | ||
| Ivor Gurney | 1890 | 1937 | English | ||
| Jacques Ibert | 1890 | 1962 | French | neoclassicism Impressionism | |
| Frank Martin | 1890 | 1974 | Swiss | Ballade for flute and piano | |
| Bohuslav Martinů | 1890 | 1959 | Czech | Symphony No. 3, No. 4, and No. 6; Gilgamesh (oratorio); chamber music | neoclassicism, folk-influenced |
| Yves Nat | 1890 | 1956 | French | ||
| Pauline Hall | 1890 | 1969 | Norwegian | ||
| Eda Rapoport | 1890 | 1968 | American | ||
| Otto Albert Tichý | 1890 | 1973 | Czech | ||
| Gösta Nystroem | 1890 | 1966 | Swedish | ||
| Arthur Bliss | 1891 | 1975 | English | A Colour Symphony | |
| Edmund Nick | 1891 | 1974 | German | ||
| Claude Champagne | 1891 | 1965 | Canadian | ||
| Karel Boleslav Jirák | 1891 | 1972 | Czechoslovak | ||
| Alexis Roland-Manuel | 1891 | 1966 | French | ||
| Roy Agnew | 1891 | 1944 | Australian | ||
| Mikhail Bulgakov | 1891 | 1940 | Russian | ||
| Schahan Berberian | 1891 | 1956 | Armenian | ||
| Florentina Mallá | 1891 | 1973 | Czech | ||
| Frida Kern | 1891 | 1988 | Austrian | ||
| Catherine Murphy Urner | 1891 | 1942 | American | ||
| Noël Gallon | 1891 | 1966 | French | ||
| Marcel Grandjany | 1891 | 1975 | French | Pieces for harp; Headed Harp Dept at Fontainebleau & Juilliard | Noted harpist and teacher |
| Thomas Griselle | 1891 | 1955 | American | ||
| W. K. Stanton | 1891 | 1978 | English | ||
| Mihail Jora | 1891 | 1971 | Romanian | ||
| Karl King | 1891 | 1971 | American | Barnum and Bailey's Favorite | marches |
| Federico Moreno Torroba | 1891 | 1982 | Spanish | classical guitar | |
| Sergei Prokofiev | 1891 | 1953 | Russian | Romeo and Juliet); The Love for Three Oranges; Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kijé; Peter and the Wolf | neoclassicism, Romanticism |
| Paul Abraham | 1892 | 1960 | Hungarian | operettas | |
| Hendrik Andriessen | 1892 | 1981 | Dutch | father of Louis Andriessen | |
| Ferde Grofé | 1892 | 1972 | American | Grand Canyon Suite; Mississippi Suite | |
| Johanna Bordewijk-Roepman | 1892 | 1971 | Dutch | ||
| William G. James | 1892 | 1977 | Australian | ||
| Nikolai Obukhov | 1892 | 1954 | Russian | ||
| Sandor Harmati | 1892 | 1936 | Hungarian-American | ||
| Fritz Heinrich Klein | 1892 | 1977 | Austrian | ||
| Felix Petyrek | 1892 | 1951 | Austrian | ||
| Mirrie Hill | 1892 | 1986 | Australian | ||
| Arthur Honegger | 1892 | 1955 | Swiss | Symphony No. 3 "Liturgique"; Pacific 231; Les Misérables (film music) | neoclassicism |
| Herbert Howells | 1892 | 1983 | English | Hymnus paradisi | |
| John Jacob Niles | 1892 | 1980 | American | ||
| Isidor Achron | 1892 | 1948 | Polish | ||
| Yrjö Kilpinen | 1892 | 1959 | Finnish | Neoclassical | |
| Samuel L. M. Barlow | 1892 | 1982 | American | ||
| Katherine Kennicott Davis | 1892 | 1980 | American | ||
| László Lajtha | 1892 | 1963 | Hungarian | ||
| Darius Milhaud | 1892 | 1974 | French | La Création du Monde; Le Bœuf sur le toit | jazz-influenced, neoclassical, polytonal |
| Hilding Rosenberg | 1892 | 1985 | Swedish | Violin Concerto | |
| Kaikhosru Shapurji Sorabji | 1892 | 1988 | English | Opus clavicembalisticum; Études transcendantes (100); Sequentia cyclica super "Dies irae" ex Missa pro defunctis; Piano Symphony No. 2; "Gulistān"—Nocturne for Piano | neoclassical, neoromantic, postimpressionistic |
| Germaine Tailleferre | 1892 | 1983 | French | ||
| Ilmari Hannikainen | 1892 | 1955 | Finnish | Romanticism | |
| Jean Absil | 1893 | 1974 | Belgian | ||
| Arthur Benjamin | 1893 | 1960 | Australian | Jamaican Rhumba | |
| Hambarsoom Grigorian | 1893 | 1975 | Armenian | ||
| Lili Boulanger | 1893 | 1918 | French | ||
| Eugene Aynsley Goossens | 1893 | 1962 | English | ||
| Alois Hába | 1893 | 1973 | Czech | Matka | microtonal |
| Helen Eugenia Hagan | 1893 | 1964 | American | ||
| Rued Langgaard | 1893 | 1952 | Danish | 16 symphonies, The Music of the Spheres, Antikrist | |
| Federico Mompou | 1893 | 1987 | Spanish | piano music | |
| Douglas Moore | 1893 | 1969 | American | The Ballad of Baby Doe, The Devil and Daniel Webster (folk opera) | |
| Sergei Protopopov | 1893 | 1954 | Russian | 3 piano sonatas | avant-garde |
| Franz Mittler | 1893 | 1970 | Austrian | ||
| Bernard Rogers | 1893 | 1968 | American | ||
| Dorothy Gow | 1893 | 1982 | English | ||
| Stanisław Wiechowicz | 1893 | 1963 | Polish | ||
| Ivor Novello | 1893 | 1951 | Welsh | ||
| Leo Ornstein | 1893 | 2002 | American (Russian-born) | Wild Men's Dance, Suicide in an Airplane, 8 piano sonatas, Piano Quintet, 3 String Quartets | Avant-garde, later Neoromanticism |
| Marcel Tyberg | 1893 | 1944 | Austrian | ||
| Charles Wilfred Orr | 1893 | 1976 | English | songs | |
| Marcel Tyberg | 1893 | 1944 | Austrian | Romanticism | |
| Władysław Raczkowski | 1894 | 1959 | Polish | ||
| Hugo Chaim Adler | 1894 | 1955 | Belgian | ||
| Bernard Wagenaar | 1894 | 1971 | Dutch/American | ||
| Paul Dessau | 1894 | 1979 | German | ||
| Krešimir Baranović | 1894 | 1975 | Yugoslav | ||
| Robert Russell Bennett | 1894 | 1981 | American | Broadway arrangements; pieces for band | |
| Sabin Drăgoi | 1894 | 1968 | Romanian | Piano Concerto | |
| Jane Joseph | 1894 | 1929 | English | ||
| Peter Warlock | 1894 | 1930 | Anglo-Welsh | ||
| Nicolas Slonimsky | 1894 | 1995 | Russian-born American | ||
| Wilhelm Grosz | 1894 | 1939 | Austrian | ||
| Albert Stoessel | 1894 | 1943 | American | ||
| Edmund Jenkins | 1894 | 1926 | African-American | ||
| Kalitha Dorothy Fox | 1894 | 1934 | English | ||
| Jane M. Joseph | 1894 | 1929 | English | ||
| Ernest John Moeran | 1894 | 1950 | English | Symphony in G minor | folk-influenced |
| Willem Pijper | 1894 | 1947 | Dutch | Six Adagios; Piano Concerto | atonal |
| Walter Piston | 1894 | 1976 | American | The Incredible Flutist (ballet); Symphony No. 2, No. 3, No. 6, and No. 7 | Neoclassicism |
| Vally Weigl | 1894 | 1982 | Austrian-American | ||
| Erwin Schulhoff | 1894 | 1942 | Czech | ||
| Mark Wessel | 1894 | 1973 | American | The King of Babylon; Concertino for Flute or Violin and Orchestra | |
| August Baeyens | 1895 | 1966 | Belgian | ||
| Jakov Gotovac | 1895 | 1982 | Croatian | ||
| Henriëtte Bosmans | 1895 | 1952 | Dutch | ||
| Mario Castelnuovo-Tedesco | 1895 | 1968 | Italian | guitar music | |
| Ernesto Lecuona | 1895 | 1963 | Cuban | ||
| Juan José Castro | 1895 | 1968 | Argentine | ||
| Dane Rudhyar | 1895 | 1985 | French | ||
| Georges Dandelot | 1895 | 1975 | French | ||
| Johann Nepomuk David | 1895 | 1977 | Austrian | neoclassical | |
| Paul Hindemith | 1895 | 1963 | German | Symphonic Metamorphosis of Themes by Carl Maria von Weber; Mathis der Maler; Ludus Tonalis | Neo-Baroque, neoclassicism, Expressionism |
| Gordon Jacob | 1895 | 1984 | English | ||
| Eva Jessye | 1895 | 1992 | American | ||
| Borys Lyatoshynsky | 1895 | 1968 | Ukrainian | ||
| Carl Orff | 1895 | 1982 | German | Carmina Burana | |
| Kathleen Richards | 1895 | 1984 | English | ||
| Ernest Charles | 1895 | 1984 | American | ||
| Slavko Osterc | 1895 | 1941 | Slovenian | Symphony | |
| Leo Sowerby | 1895 | 1968 | American | ||
| William Grant Still | 1895 | 1978 | American | 5 symphonies, including Symphony No. 1 "Afro-American"; Troubled Island (opera), A Bayou Legend (opera) | folk-influenced; known as "the Dean" of African-American composers |
| Lindley Evans | 1895 | 1982 | South African-born Australian | ||
| Nico Dostal | 1895 | 1981 | Austrian | ||
| Jorge Bravo de Rueda | 1895 | 1940 | Peruvian | ||
| Rudolf Kattnigg | 1895 | 1955 | Austrian | ||
| Boris Sobinov | 1895 | 1956 | Russian | ||
| Eduard Toldrà | 1895 | 1962 | Spanish | ||
| Shirley Graham Du Bois | 1896 | 1977 | American | ||
| Jacobo Ficher | 1896 | 1978 | Argentine | 10 symphonies; 3 piano concertos; chamber music; El Oso (opera, after Chekhov) | eclectic |
| María Teresa Prieto | 1896 | 1982 | Spanish | ||
| Maria Bach | 1896 | 1978 | Austrian | Klavierquartett | |
| Dimitri Mitropoulos | 1896 | 1960 | Greek | ||
| Józef Koffler | 1896 | 1944 | Polish | ||
| Bolesław Szabelski | 1896 | 1979 | Polish | ||
| Jean Rivier | 1896 | 1987 | French | ||
| Roberto Gerhard | 1896 | 1970 | Spanish | ||
| Howard Hanson | 1896 | 1981 | American | 7 symphonies | Romanticism |
| Viktor Kosenko | 1896 | 1938 | Ukrainian | piano concerto | |
| Roger Sessions | 1896 | 1985 | American | 9 symphonies, Violin Concerto, Montezuma | neoclassicism, twelve-tone technique |
| Petko Staynov | 1896 | 1977 | Bulgarian | ||
| Leroy Robertson | 1896 | 1971 | American | ||
| George Thalben-Ball | 1896 | 1986 | British | ||
| Virgil Thomson | 1896 | 1989 | American | Four Saints in Three Acts, The Mother of Us All; Louisiana Story; also noted critic | folk-influenced, eclectic |
| Jaromír Weinberger | 1896 | 1967 | Czech | Schwanda the Bagpiper | |
| Sergei Aslamazyan | 1897 | 1978 | Soviet Armenian | ||
| António Fragoso | 1897 | 1918 | Portuguese | ||
| Jørgen Bentzon | 1897 | 1951 | Danish | ||
| Harrison Kerr | 1897 | 1978 | American | ||
| György Kósa | 1897 | 1984 | Hungarian | ||
| Yefim Golyshev | 1897 | 1970 | Ukrainian | String Trio | |
| Enrico Mainardi | 1897 | 1976 | Italian | ||
| Jaroslav Řídký | 1897 | 1956 | Czech | ||
| Luis Gianneo | 1897 | 1968 | Argentine | ||
| Karl Marx | 1897 | 1985 | German | ||
| Paul Ben-Haim | 1897 | 1984 | Israeli | ||
| Gaspar Cassadó | 1897 | 1966 | Spanish | Toccata, Requiebros | |
| Henry Cowell | 1897 | 1965 | American | The Tides of Manaunaun, Dynamic Motion | eclectic, experimental |
| Oscar Lorenzo Fernández | 1897 | 1948 | Brazilian | "Batuque" from Malazarte | nationalism |
| Erich Wolfgang Korngold | 1897 | 1957 | Austrian | Violin Concerto; film music; Die Tote Stadt | |
| Kay Swift | 1897 | 1993 | American | ||
| Agustín Lara | 1897 | 1970 | Mexican | Granada | |
| Fernando Obradors | 1897 | 1945 | Spanish | Canciones clásicas españolas | |
| Quincy Porter | 1897 | 1966 | American | 2 symphonies, 9 string quartets, Piano Quintet, Concerto concertante for two pianos and orchestra | |
| Harald Sæverud | 1897 | 1992 | Norwegian | Peer Gynt, 9 symphonies | |
| Hermann Neuling | 1897 | 1967 | German | ||
| Sim Gokkes | 1897 | 1943 | Dutch | Modernist | |
| Theo Mackeben | 1897 | 1953 | German | ||
| Hermann Heiss | 1897 | 1966 | German | ||
| Pablo Sorozábal | 1897 | 1988 | Spanish | ||
| Alexandre Tansman | 1897 | 1986 | Polish | ||
| Hanns Eisler | 1898 | 1962 | German/Austrian | Auferstanden aus Ruinen (Eastern Germany national anthem) | |
| George Gershwin | 1898 | 1937 | American | Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess | jazz-influenced |
| Roy Harris | 1898 | 1979 | American | Symphony No. 3 | neotonality |
| Ernst Bacon | 1898 | 1990 | American | ||
| Tibor Harsányi | 1898 | 1954 | Hungarian | ||
| Alberto Hemsi | 1898 | 1976 | Turkish | ||
| Norman Demuth | 1898 | 1968 | English | ||
| Rito Selvaggi | 1898 | 1972 | Italian | ||
| María Luisa Sepúlveda | 1898 | 1958 | Chilean | ||
| Viktor Ullmann | 1898 | 1944 | Austrian | ||
| Dorothy Howell | 1898 | 1982 | English | ||
| Lev Knipper | 1898 | 1974 | Russian | ||
| Alexander Abramsky | 1898 | 1985 | Russian | folk-influenced | |
| Carlton Cooley | 1898 | 1981 | American | ||
| Barbara Giuranna | 1898 | 1998 | Italian | ||
| Marcel Mihalovici | 1898 | 1985 | French | ||
| Jeanne Leleu | 1898 | 1979 | French | ||
| Maurice Journeau | 1898 | 1999 | French | ||
| Vittorio Rieti | 1898 | 1994 | Italian | ||
| Pancho Vladigerov | 1899 | 1978 | Bulgarian | 4 piano concertos | folk-influenced |
| William Baines | 1899 | 1922 | English | ||
| Marcelle de Manziarly | 1899 | 1989 | French | ||
| Patrick Hadley | 1899 | 1973 | British | ||
| Ephraim Amu | 1899 | 1995 | Ghanaian | ||
| Frederic Curzon | 1899 | 1973 | English | ||
| Herbert Sumsion | 1899 | 1995 | English | ||
| Georges Auric | 1899 | 1983 | French | ||
| Carlos Chávez | 1899 | 1978 | Mexican | Sinfonía de Antígona, Sinfonía india, Symphony No. 6, Toccata for percussion instruments, The Visitors (opera) | modernist, primitivist, folk-influenced, neoclassicism, serialist |
| Sophie Carmen Eckhardt-Gramatté | 1899 | 1974 | Russian-born Canadian | ||
| Jón Leifs | 1899 | 1968 | Icelandic | Oratorios based on Edda | idiosyncratic orchestration and percussion used to evoke Icelandic natural phenomena |
| George Frederick McKay | 1899 | 1970 | American | ||
| Francis Poulenc | 1899 | 1963 | French | Babar the Elephant; Flute Sonata Stabat Mater | neoclassicism |
| Silvestre Revueltas | 1899 | 1940 | Mexican | Janitzio, Homenaje a Federico García Lorca, Sensemayá | nationalist, political music, primitivist, popular-music influence. modernism |
| Ricard Lamote de Grignon | 1899 | 1962 | Catalan Spanish | ||
| Finn Høffding | 1899 | 1997 | Danish | ||
| Arthur Duff | 1899 | 1956 | Irish | ||
| Eduardo Hernández Moncada | 1899 | 1995 | Mexican | ||
| Pavel Haas | 1899 | 1944 | Czech | ||
| Mansi Barberis | 1899 | 1986 | Romanian | ||
| Alexander Tcherepnin | 1899 | 1977 | Russian | ||
| Randall Thompson | 1899 | 1984 | American | Alleluia; The Testament of Freedom | |
| George Antheil | 1900 | 1959 | American | Ballet mécanique; Symphony No. 4 | Avant-garde, modernism, later neoclassical |
| Willy Burkhard | 1900 | 1955 | Swiss | ||
| Alan Bush | 1900 | 1995 | English | ||
| Aaron Copland | 1900 | 1990 | American | Appalachian Spring (ballet); Billy the Kid (ballet); Rodeo (ballet); Fanfare for the Common Man; Clarinet Concerto | neoclassical, folk-influenced, jazz-influenced, early twelve-tone, later serialism |
| Henri Pensis | 1900 | 1958 | Luxembourgian | ||
| Elinor Remick Warren | 1900 | 1991 | American | ||
| Isadore Freed | 1900 | 1960 | Belarusian-born American | ||
| Pierre-Octave Ferroud | 1900 | 1936 | French | ||
| Leo Smit | 1900 | 1943 | Dutch | ||
| David Wynne | 1900 | 1983 | Welsh | ||
| Gotfrid Hasanov | 1900 | 1965 | Russian | ||
| Amadeo Roldán | 1900 | 1939 | Cuban | ||
| Hector Gratton | 1900 | 1970 | Canadian | ||
| Isaak Dunayevsky | 1900 | 1955 | Russian | ||
| Henry Barraud | 1900 | 1997 | French | Concertino for piano, flute, clarinet, horn, bassoon and chamber orchestra | |
| Paul Kletzki | 1900 | 1973 | Polish | ||
| Lola Castegnaro | 1900 | 1979 | Costa Rican | ||
| Maurice Jaubert | 1900 | 1940 | French | ||
| Uuno Klami | 1900 | 1961 | Finnish | Sea Pictures; Kalevala Suite | |
| Ernst Krenek | 1900 | 1991 | Austrian | Jonny spielt auf, Karl V | neoclassical, twelve-tone, later serial, neoromantic, eclectic |
| Colin McPhee | 1900 | 1964 | Canadian | Tabuh-Tabuhan: Toccata for Orchestra | folk-influenced |
| Alexander Mosolov | 1900 | 1973 | Russian | Iron Foundry | Avant-garde |
| Hermann Reutter | 1900 | 1985 | German | ||
| Franz Salmhofer | 1900 | 1975 | Austrian | ||
| Zdenka Ticharich | 1900 | 1979 | Hungarian | ||
| Fred Raymond | 1900 | 1954 | Austrian | operettas; film music | |
| Hans Schimmerling | 1900 | 1967 | Czech | ||
| Evald Aav | 1900 | 1939 | Estonian | ||
| Kai Normann Andersen | 1900 | 1967 | Danish | ||
| Otto Luening | 1900 | 1996 | German-American | ||
| Yasuji Kiyose | 1900 | 1981 | Japanese | ||
| Marko Tajčević | 1900 | 1984 | Serbian | ||
| Kurt Weill | 1900 | 1950 | German | neoclassical | |
| Karel Albert | 1901 | 1987 | Belgian | Marieken van Niemeghen (incidental music); four symphonies | constructionist, neoclassical, twelve-tone technique |
| Juan Carlos Paz | 1901 | 1972 | Argentine | Twelve-tone technique and Serialism | |
| Bernard Reichel | 1901 | 1992 | Swiss | ||
| Blaž Arnič | 1901 | 1970 | Slovenian | neoromanticism | |
| Ruth Crawford Seeger | 1901 | 1953 | American | String Quartet | modernism |
| Dimitar Nenov | 1901 | 1953 | Bulgarian | Toccata | |
| Gerald Finzi | 1901 | 1956 | English | Cello Concerto; songs | neoromantic |
| Victor Hely-Hutchinson | 1901 | 1947 | British | ||
| Emil Hlobil | 1901 | 1987 | Czechoslovakian | ||
| Lillian Fuchs | 1901 | 1995 | American | ||
| Eivind Groven | 1901 | 1977 | Norwegian | ||
| Conrad Beck | 1901 | 1989 | Swiss | ||
| Dorothy James | 1901 | 1982 | American | ||
| Harry Partch | 1901 | 1974 | American | Daphne of the Dunes, Revelation in the Courthouse Park | microtonal, just intonation, self-built instruments |
| Heinz Eric Roemheld | 1901 | 1985 | American | ||
| William McKie | 1901 | 1984 | Australian | ||
| Marcel Poot | 1901 | 1988 | Belgian | ||
| Joaquín Rodrigo | 1901 | 1999 | Spanish | Concierto de Aranjuez; guitar music | neoclassical, folk music influence |
| Edmund Rubbra | 1901 | 1986 | English | ||
| Henri Sauguet | 1901 | 1989 | French | ||
| Henri Tomasi | 1901 | 1971 | French | ||
| Olav Kielland | 1901 | 1985 | Norwegian | ||
| Theodore Chanler | 1902 | 1961 | American | ||
| Maurice Duruflé | 1902 | 1986 | French | Requiem; organ music | |
| Veselin Stoyanov | 1902 | 1969 | Bulgarian | Three concertos for piano and orchestra; Concerto for Violin and Orchestra, Concerto for Cello and Orchestra, Concertino for violin | folk-influenced |
| Helvi Leiviskä | 1902 | 1982 | Finnish | ||
| Antonio José | 1902 | 1936 | Spanish | ||
| Lūcija Garūta | 1902 | 1977 | Latvian | Piano Concerto | |
| Evaristo Fernández Blanco | 1902 | 1993 | Spanish | ||
| Andriy Shtoharenko | 1902 | 1992 | Ukrainian | ||
| Jenő Takács | 1902 | 2005 | Austrian | ||
| Rose Thisse-Derouette | 1902 | 1989 | Belgian | ||
| Antonio María Valencia | 1902 | 1952 | Colombian | ||
| Vissarion Shebalin | 1902 | 1963 | Russian | ||
| John Vincent | 1902 | 1977 | American | Consort for Piano and Strings | neoclassical |
| William Walton | 1902 | 1983 | English | Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast (oratorio) | avant-garde (early), neoromantic, neoclassical |
| Stefan Wolpe | 1902 | 1972 | German | serial, modernism |
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